Tim OBriens memoir, If I Die in a Combat divider, is an example of literary art depicting contend. OBriens reluctance to liaison in the struggle makes this a different kind of show of war art. The movie divine revelation flat, directed by Francis cut across Coppola, also depicts war in an wonderful way. They are very much alike in that they both(prenominal) explore the emotions and morality of humans. If I Die in a Combat partition off, and Apocalypse Now introduce the unfathomable mysteries of Americas venture into Vietnam. Long esteem for its passion, poetry and eccentricity, Apocalypse Now is one of the few American movies that deals with the harsh candor of emotional experiences in war. It explores the things that drove and undermined the war effort in Southeast Asia. The movie consists of a serial publication of congeal pieces, just as If I Die in a Combat Zone does. The most famous is the colza on the village, opening with the helicopter loudspeakers blastin g Wagner at the scared students and teachers, and move with Lt. Kilgore and his bravado on the beach, I love the prospecting at of napalm in the morning. Lt. Kilgore walked around the beach, and when a bomb hit the sand, he was the only one standing while everyone else ducked. Mad Mark, in If I Die in a Combat Zone, is akin to Lt.
Kilgore; he walked with a lanky, easy, silent, fearless stride. He wore tiger fatigues, non for their camouflage, solely for their look (OBrien 81). Many viewers and readers may look at these characters were used to show different views on war, but I think Coppola and OBrien were mocking the soldiers carefr ee attitude. Apocalypse Now portrays the war! as fundamentally misconceived and mismanaged, just as Tim OBrien does in If I Die in a Combat Zone. If... If you penury to impersonate a full essay, order it on our website:
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